Tuesday 31 August 2010

Poltroon - New Literary Night - kicks off tomorrow


Dave from Messengers Of God and Orlando (Eileen Rose and Alabama 3) are launching a new literary salon at Ye Olde Mitre Tavern off Hatton Garden and Holborn Circus. It's the first night tomorrow and starts around 7.00. Go down and support them - it's sounds a cracker.

Also it's just round the corner from Bleeding Heart Yard and Ely Place which feature in Little Dorritt and Bleeding Heart Square two of my favourite books.

Friday 18 June 2010

Night-Visiting Songs


Very early on Thursday morning, really just 40 minutes after midnight I had a pair of night visitors. It was my old flat-mate Paul Farley and his pal Neil a producer from Radio 4. They were making a programme, to be broadcast in July as part of a series called London Nights about different people’s experience of nocturnal London. Paul wanted me to recount some of the tales that I’d told him about Kings Cross and living here and also to verify some of his memories from his years here. It had been in Kings Cross that Paul decided he was going to give poetry a go and signed up for the late Michael Donaghy’s evening class at City University; the rest, as they say, is history.

Thus we had a wide-ranging chat over a bottle of wine (it had been a good five years since we previously met) recalling episodes like the early morning caller claiming to be a neighbour and wanting to borrow some kitchen foil as he was “going fishing and needed something to wrap his sandwiches in”; this was a time when you’d regularly find uneaten Kit-kats on the staircase minus their wrapping along with abandoned works. We talked about the crack houses, the prostitutes and the brothels; the night I heard someone shouting “get the shooters” in Midhope Street.

I told him about the days of Rough Trade Distribution being in Collier Street, and lunchtimes in The Malt And Hops (now The Ruby Lounge)on Caledonian Road with Claude Bessy, CP Lee and a host of others, and then sitting out afternoon closing time in cafes and flats around the station and Hillview. The time when Claude lost his bus pass, went to retrieve it from the station and was promptly arrested for possession of speed. He was fined £20 a sum recouped and more through the sale of CP’s hastily-recorded cassette Froggy Went A Courting.


Then there were the cats. In 2006 an oral history CD The Argyle Square Sound Trail was produced by the Kings Cross Voices project. There were amazing stories on there. It was the first time I ‘d heard of the Regent Theatre, formerly The Euston Music Hall, that stood where Camden Town Hall Extension now blights the landscape. It was all where I heard the tale of Fireworks. He was the caretaker based in Midhope House and on Saturday mornings he would bring buckets of water out into Midhope Courtyard which were used to drown excess kittens born on the estate during the previous week. Apparently it was a popular spectator sport for the local kids, but for me it conjured the vision of a pack of ghostly cats swarming around the courtyard.


And then we got on to the whole idea of Kings Cross as a place of power, a crossing point of strong creative currents, of ley lines if you will. The Vale Royal, the Intelligent Playground, the visionary metropolis evoked by Blake in his Golden Quatrain:

The fields from Islington to Marylebone
To Primrose Hill and Saint Johns Wood:
Were builded over with pillars of gold,
And there Jerusalem’s pillars stood.

And from thence we came to Rimbaud and Aidan Andrew Dun; of whom more later.

Sunday 30 May 2010

River Sounding at Somerset House



Somewhere, I'm not sure where now, I'd picked up a brochure about this and then promptly forgot about it until yesterday. Then it became a matter of rush, rush, rush, as the installation closes at the end of tomorrow.


River Sounding is worth a visit for two reasons. Firstly it's a fascinating look at the Thames through video and sound. Secondly it allows you access to the Lightwells and the Deadhouse; below ground level parts of Somerset House not usually publicly accessible. The Deadhouse, alone, is worth exploring just for the memorial stones to various 17th Century luminaries.


The installation itself - 'A journey through the hidden sound worlds of the River Thames' - uses video footage of the river, bridges, the mechanism of Tower Bridge and buoys. These are displayed on the brick walls of coal holes. Sound comes from strategically placed speakers with the water augmented by bells, clocks and other mechanisms. It's a hypnotic, entrancing experience.

More info here.